one of my favorite things about using heavy black in a page is always the little glimmers of light that hint and suggest a source of light- even if one isn't immediately seen- in this specific case theres a beauty to the soft light eminating mainly from their trails and the explosion of light equal to stardeath. theres always a beautiful attention to even the subtlest of scene setting details in your work. thank you for sharing. may we carry on in memory of 6.
The Enfield Poltergeist case is •incredible• : using over 200 Hours of audio tape recordings, archival news reportage,photographs and actors •lip-syncing• to the original recordings on an EXACT soundstage set replica reproduction of the interior of 284 Green Street, Enfield in the years 1977-8 --
The Modelling of The Case and it’s phenomena is now so GOOD, with such a high degree of breadth, range and fidelity that so much RAW Information has now been channelled and fed-into The Model, that Emergence can now occur, and as I believe, HAS -- We now able to successfully recreate The Haunting, almost in its •entirety•, on The Holodeck.
And also Secondly (and non-coincidentally) :
‘Becky’ (2020), starring
Lulu (“with The Good Hair.”) Wilson
[ I have yet to see the sequel,
Becky II : The Wrath of Becky -- actual title ] --
First streamed video clip I ever watched online (pre-YouTube).
The First .mp3 I ever downloaded (illegally so, although not by choice) was ‘Heaven for Everyone’ by Queen -- both of those things occurred circa late-1996.
Those Eye-Beams make me brain-flash onto Professor Urban ‘Reg’ Chronotis in Shada/the first Dirk Gently novel, as well as a gif I made from the scene in Ghostbusters 2 where a possessed Janosh Pohar (Peter McNicol) gleefully traces out his path down a pitch-dark, blacked-out corridor, by the light of his own brightly-burning eye-beams -- co-inspired by Superman’s line to Luthor in Action Comics #2 (after Luthor has just mistaken Superman for a mutated alien cow-fetus):
one of my favorite things about using heavy black in a page is always the little glimmers of light that hint and suggest a source of light- even if one isn't immediately seen- in this specific case theres a beauty to the soft light eminating mainly from their trails and the explosion of light equal to stardeath. theres always a beautiful attention to even the subtlest of scene setting details in your work. thank you for sharing. may we carry on in memory of 6.
Six of One
Third, of Five
Seven of Nine, Tertiary-adjunct to UniMatrix-01
Locutus, of Borg; Father of Vox.
A pair of •unqualified•
ABSOLUTE Recommendations, BTW --
AppleTV+’s brand new, 4-Part Documentary on
The Enfield Poltergeist case is •incredible• : using over 200 Hours of audio tape recordings, archival news reportage,photographs and actors •lip-syncing• to the original recordings on an EXACT soundstage set replica reproduction of the interior of 284 Green Street, Enfield in the years 1977-8 --
The Modelling of The Case and it’s phenomena is now so GOOD, with such a high degree of breadth, range and fidelity that so much RAW Information has now been channelled and fed-into The Model, that Emergence can now occur, and as I believe, HAS -- We now able to successfully recreate The Haunting, almost in its •entirety•, on The Holodeck.
And also Secondly (and non-coincidentally) :
‘Becky’ (2020), starring
Lulu (“with The Good Hair.”) Wilson
[ I have yet to see the sequel,
Becky II : The Wrath of Becky -- actual title ] --
It’s Die Hard, in a Forest, by a Lake,
with a Cabin in The Woods,
but in place of ex-cop John McClain,
you have an 11-Year Old Girl,
and her two hunting dogs --
Sorry, not really relevant, but
Really truly psychedelic
https://youtu.be/qay4Nj_QJgU?si=WTNCBz4LWYPnC0GE
Sideshow Luke Perry gets Shot Out of a Canon --
First streamed video clip I ever watched online (pre-YouTube).
The First .mp3 I ever downloaded (illegally so, although not by choice) was ‘Heaven for Everyone’ by Queen -- both of those things occurred circa late-1996.
Those Eye-Beams make me brain-flash onto Professor Urban ‘Reg’ Chronotis in Shada/the first Dirk Gently novel, as well as a gif I made from the scene in Ghostbusters 2 where a possessed Janosh Pohar (Peter McNicol) gleefully traces out his path down a pitch-dark, blacked-out corridor, by the light of his own brightly-burning eye-beams -- co-inspired by Superman’s line to Luthor in Action Comics #2 (after Luthor has just mistaken Superman for a mutated alien cow-fetus):
“I’m Look just like Everybody Else --
Except MY Eyes don’t just ABSORB Radiation
like yours do, they EMIT all kinds.
Like the MICROWAVES that just
COOKED Your Equipment.”
And The Shining -- of course.