AT THE END OF EVERYTHING ALL YOU MAKE IS WAR
Today’s favourite song is the 800% slowed down version of the Beatles Tomorrow Never Knows that I‘ve been resorting to for ‘atmosphere’ as the screenplay reaches the final furlong! The original 3-minute song has been time-stretched to 23.50 and the effect is of a sublime cosmic haunting, last ghost of the universe, it’s fading imprint on the event horizon of a black hole.
Tomorrow Never Knows is already a favourite (I intend for the extended, overwrought Alison Mosshart/Carla Azar version of the song, from Sucker Punch, to play at my funeral as the coffin descends and the cheers of the crowd erupt)
Some other repeated listens contributing directly to the texture of the movie I’m writing include…